RGV has carved a niche for himself in the Indian Film Industry by producing movies pertaining to real-world issues similar to what Madhur Bhandarkar has done before. And RANN is the latest effort in this foray. His earlier movies like SARKAR and SARKAR RAJ were good hits and found accord with the Indian audience. But, unfortunately, RANN could not repeat the success of its predecessors.

RANN is a film completely based on the histrionics of today’s Media. It is all about how people heading Media Channels, politicians and business magnates collude with each other to sensationalize news, create controversies, uproot governments and rake in the moolah. In the end, what matters is “How much one is getting one’s worth”. RGV sends a strong message through this film: It’s all about the money, honey. But apparently, there are also some genuinely good, nice people who don’t compromise on principles and find solace in exposing the truth from a completely objective point of view. Amitabh Bacchan and Ritesh Deshmukh play such characters. On the other hand, there are people like Mohnish Behl (Head of Rival TV Channel), Paresh Rawal (Politician) and Rajat Kapoor (Businessman) who can do everything and anything to satisfy their desires. Hence, the demarcation between good and evil gets established almost from the beginning. In between these two kinds of people are the scapegoats who due to some misfortune, get embedded and trapped to do “the wrong things” for the “greater perceived good/cause”. Aptly, the powerful dialogue from Paresh Rawal comes almost at the end: “There are two kinds of people in the world: Lions and Goats”.

The media has been made to look villainous for the first time in this movie and the way it has been shaping people’s sentiments has been strictly questioned. The last announcement made by Amitabh Bacchan in the climax scene contains some very powerful opinions and comments on the mannerisms of today’s media and the act was performed with exemplary versatility and dedication. Ritesh Deshmukh sets another example in showing how courage and persistence can go a long way in destabilizing the webs of deceit and treachery through exposure of concrete truth.

The cinematography was emblematic of earlier RGV movies with a mixture of camera techniques used to beautifully capture strong emotions and make evident the subtle symbolisms present in every scene.

I admit here that the plot had loopholes and may be the way media functions has been wrongly depicted. But, if you see the big picture and don’t get carried away by minuscule details, the I think this movie is worth a shot for at least a single watch.

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